BlogTV Japan: Otaku Syndrome

One of the great reasons for studying foreign languages is to see and hear new things from new lands and new people that you could never have encountered before. Once in a while you see something positively amazing. And once in a while you see something that makes you want to gouge your eyes out with red hot pokers.
When I first saw what I am about to show you, I told people about it and nobody believed me. I don’t blame them, I wouldn’t have believed it. Now, almost a year later, I have captured a followup show, and am providing the video online. So now you can see it. And you still won’t believe it.

Of all the series running on FujiTV News, one of the most astonishing (and certainly the most revolting) is the series “katazukerarenai onnatachi,” literally “women who can’t clean up.” The show offers these women a deal, in exchange for the utter humiliation of subjecting their disgustingly sloppy lifestyle to intense scrutiny on national TV, they will clean your house. I don’t know why any woman would ever agree to appear on the show, but they all seem quite cheerful when admitting the announcer and camera crew into their repulsive homes. Most of the women are disguised with mosaic and voice distortion, but some women have no problem showing their faces or even using their real names. The male announcer always appears in an impeccable grey Armani suit, shin-high rubber boots, and heavy white cotton work gloves. He comes to the door, is greeted at the genkan and admitted to the space, and plunges into these astonishingly untidy places with his camera crew.
Now I’m not talking about your average slobs here. In one segment that does not appear in my online excerpt, the announcer (wearing a mask and goggles) starts scattering a pile of garbage bags piled 4 feet high, and when he gets to the bottom, he finds a discarded, moldy food container with a sell-by date on it: 1997. The room is stacked everywhere with plastic bags full of garbage, the only clear spot is around the futon, it looks like a nest with white trash bags surrounding it like a crater. The announcer presses forward to the kitchen. Now it is getting really sickening. He opens the refrigerator, which has been turned off and not opened for years. Then.. no I really cannot go on. It is too repulsive. I could not even watch it myself, and it takes a LOT to shock me. But anyway, the cleaning crew arrives behind the announcer, and removes everything disposable and cleans the entire house until it is just as obsessively clean as it previously was obsessively dirty. It must take days to finish the job. When the room is finally cleaned, it is immediately obvious that this woman is a Snoopy otaku. Everywhere you look there are Snoopy rugs, wall hangings and posters, figurines, stuffed toys, etc, none of this was visible until the mountain of trash was removed.

But let us move on to the star of our show. “B-san” is a 36 year old female otaku. She is obsessed with collecting manga. She lives in a tiny 6-mat apartment. A year ago, the FujiTV crew visited and found her 6jo room entirely filled from top to bottom, wall to wall with stacks of manga, there was only a tiny tunnel near the door where she slept. There is nothing for the camera to explore, the announcer cannot even get in the door. The cleanup crew comes and observes the walls of the room are bulging, good thing this is a ground floor apartment or it would have collapsed under the weight. A brave workman wearing a hard hat and breathing mask enters the passageway and lies down to demonstrate where B-san slept, there is hardly any room for the camera. He can not lie down, the cavity is formed around the shape of the short skinny woman. A larger crew will be necessary to clear this rubbish pile, several heavy trucks are summoned, and eventually they haul away several tons of manga. First the entryway is cleared, the camera scans over the top of the pile, the entire room is filled to the ceiling. Household furnishings like a bed are gradually unburied. Eventually the house is cleaned, right down to the lowest layer where the camera lingers on the mouse droppings and bugs underneath the mouldering stacks. But everything is restored to squeaky clean, there’s even a nice TV and some furniture under all this crap, although the building owner will have to take care of those dangerously damaged walls. Oh dear, how will she ever explain this to the landlord?
Now it is a year later, and the same announcer revisits B-san. We get a quick review of the situation last year, and even in some photographs taken at 6 months out, the camera shows the room mostly clear and empty. But there is a troubling sign, stacks of boxes neatly lining two walls. Now fast forward another 6 months. Today her room is once again stacked floor to ceiling with piles of manga, just like before. As the segment closes, B-san bemoans her inability to change her habits. Even the humiliation of showing her year-long descent into disorder on national TV could not motivate her to change her ways. But perhaps she can serve as an example to others. The video ended with a discussion of obsessive-compulsive disorders, like the people you hear about who are raided by the SPCA for having 200 cats in their house. That otaku with the obsessive Pokemon or Transformers collection on his shelf is only different in quantity, not quality.

A Visit from the Commander-in-Thief

George W. Bush is visiting our area today. In a few hours he will be here. But nobody knows quite when. Or if they do know, they’re not telling. Security is tight. But not because of the War on Terrorism. It’s to keep the protesters away. If nobody knows where he’s going to be, there’s no way to show up and yell right to his face. Ever since Bush stole the election, the Secret Service is keeping protesters far away where the President can never see them, in violation of their rights to Free Speech. But the protests continue, they will not stop until His Imperial Majesty George II hears the angry voices of The People.
The People have a right to petition their Goverment for redress, even by means of mass protest. If they do not, that government is not for the people nor of the people, and the people must overturn it. We won’t forget what you did, George W. Bush, when we vote next election.

More Old Photos

Here’s a nice black and white photo I took way back in the late 1970s when I owned a Hasselblad. Kinda creepy, kinda goth. It’s an urn. This is a flash exposure in total darkness. As a photographer I am always attracted to darkness, it is the most challenging condition to photograph.
Notice the nice straight vertical lines, I did a subtle but important perspective correction in Photoshop. I always wanted to reshoot this image with a view camera to fix the vertical convergence, but now I don’t have to, it’s perfect.

urn

If anyone likes these photos, feel free to contact me. I am a professional photographer, you can buy a museum quality print of my work. I mean, real archival photo prints on conventional photo media, not an inkjet print or some rubbish like that. I have a BFA degree in Photography and everything. It’s real art that will last for centuries, not a cheap imitation.

Old Photos

florida

I found another nice photo I took a long time ago. There is nothing particularly remarkable about this vacation photo except for one thing, I developed the color negative film and printed the color RC print in my own darkroom when I was about 13 years old. I was experimenting with photographing different light conditions with the Zone System, which is pretty hard to do with color negative film, it has very little latitude. But I thought it was a pretty good job. I tried to improve on the color and curves in Photoshop and couldn’t really do any better. I wasted a lot of time on trying to color correct the highlights on the railing, then I realized the tiles really were aqua blue.

 

Traction Avenue

I found an old Polaroid photo of my art studio on Traction Avenue, in the center of the downtown LA artist’s district. Notice the tall ceilings with huge beams, this place was gigantic, about 2000 square feet. I used to ride my skateboard around inside my studio, turning figure-eights around the support columns. This is just the one small corner of the studio I used for preparatory painting. I used to work on bigger paintings on the other wall and I could stand back 50 feet from my paintings and get a good look from a distance.

tractionave

I liked to paint preparatory works on paper tacked to the wall, looks like I’ve started an underpainting. My pallette and brushes are on top of an old hospital-bed cart, which seems to be the preferred pallete table in art studios everywhere. Down in the lower right corner are some high powered track lights that I never finished installing once I discovered how hot they got.
This studio is legendary for many reasons, it was one of the most hotly contested studio spaces on Traction Avenue. I went back to visit a couple years ago, the whole area is now gentrified. My old studio is now a used CD store.

Product Placement Problems

Back when I worked at a top LA graphics service bureau around 1990 or so, I got a job from one of our regular customers, an independent designer. He produced product packaging with Adobe Illustrator and he did a lot of expensive large format Iris inkjet output. One day I load up his new Iris job, and what the hell is this? I’m looking at detailed flexography stencils for 7up, Dr. Pepper, Pepsi, and Coke bottles. Except the logos in this comp are not placed on pop bottles, they’re on baby bottles. Now hold it just a minute. I philosophically and morally object to putting a corporate logo 2 inches from a 1 day old infant’s eyes. I wouldn’t want a child’s first visual experience when their eyes begin to focus to be a huge Coke or 7Up logo with a nipple on it. AND, at this very time, there was a huge boycott of Nestle over baby formula problems in third world countries, and soda pop bottlers were accused of involvement in widespread infant malnutrition. Mothers who couldn’t find clean water to make infant formula were using 7Up and other soda instead of water. Infants were often fed straight sugary and caffeinated soda pop with the formula, and it had horrible health effects on the very young infants. And the more I thought about this job, the more reasons I could find to loathe it, I would not participate in producing anything related to this product. So I took this job-from-hell straight to the boss and showed it to him. I said I am NOT doing this job. He heard my objections, and he was pretty horrified when he stopped to think about it. So my boss called the designer and told him to get down to the shop, we wanted to talk to him. I ran his job up on my screen, brought him in to look at it (like we often did when customers watched Iris jobs run) and then I started yelling at him, what the hell is this? I told him that we had certain standards, we didn’t work on porn, and we didn’t do obscene jobs like this. I stated in no uncertain terms that this was the sickest thing anyone had ever submitted to our shop, and I told him why. He seemed astonished, the more I explained my objections to this product, the more horrified a look he got on his face. He took a moment, and then told me this was not for mass production, it was a one-off unique item, it was to be used as a prop in a movie scene, to poke fun at someone who would feed soda pop to infants. I told him I would hold his job and consider printing it if he was really telling me the truth, but still I thought he was lying. And besides, if he put this image in the mass media, it would probably influence people to want to purchase the real Coke and 7Up baby bottles. He said I should not worry about it, the film was crap and sure to flop, hardly anyone would see the bottle. I was not feeling any better about this job. I took it to the boss, who eventually made the decision to go ahead and print, but only after another long phone call with the client.
So about 6 months later, I am in the checkout line at some big department store, and standing right next to the counter, what do I see? A big display rack of 7Up, Coke, Dr. Pepper, and other assorted plastic baby bottles. Lying bastard designer! Fortunately about this time quit and I moved to San Francisco and went to work at a better prepress shop, with fewer scumbag clients like that, we typeset stuff like RE:Search books, Rainforest Action Network pamphlets, etc, I was a much happier graphics geek.

BlogTV High Bandwidth Experiment

Update June 2014: Quicktime Streaming Server is deprecated. The functions I described no longer work on this server. If anyone is interested in the historical operations of this software, please contact me.

I am releasing a new 1-minute video clip, there is a film studies essay that goes with this clip, as yet it is unfinished so I thought I’d start serving the video now and get some feedback. This video combines fast action with long slow scenes with high detail, which makes it more difficult to find an optimum balance in the compression. I’ve pushed the limit on the 56k clip and it still is hard to capture all the fast motion, let me know if it streams well, maybe I could up the bandwidth a bit more. I’ve also produced a special extra high quality version for T1 users, one stream should use 10% of my outbound bandwidth so go and hammer on this box and see how it behaves under heavy load. If you have very high bandwidth connectivity, be sure your Quicktime Preferences>Connection Speed is set to T1.
Before you complain about this video clip, yes, I know the lip sync is off, the original film is like that. This scene was obviously redubbed in the studio, and badly. The whole scene before this is out of sync due to a bad redub, at one point you can see Zatoichi chewing and swallowing at the same time he’s talking on the soundtrack.

I Want My BlogTV!

Update June 2014: Quicktime Streaming Server is deprecated. The functions I described no longer work on this server. If anyone is interested in the historical operations of this software, please contact me.

I am leaving a portion of this essay unredacted, the section The Napsterization of Fair Use is still relevant today. It is also worth noting how close I came to creating YouTube, when I mused “I just wonder how big this could be if it was streamlined for mass consumer use.” This was 3 years before YouTube was founded.

I am working more with QTSS and preparing new files for presentation, and more comments are coming in about BlogTV. The server logs report over 850 views of the clip, yet some people commented that the file was 404 Unavailable. I suspect there was a brief cable modem outage this morning. Also, the hi-bandwidth T1 version of the second video clip will not stream. If you change your Quicktime settings temporarily to ISDN speed, you should be able to see the slower clip. I think I encoded the T1 version incorrectly and the server refuses to deliver it. I am still a newbie at video compression, I’ll get these settings fixed up after a few more experiments, so your feedback is valuable. Remember this is a little G3/400 on a cable modem, I have an upload bandwidth cap set by the cable company, so I have limited the server to 10 simultaneous streams. Several prominent blogs have linked to this site, so probably there was a huge crush at about 9AM when everyone came into the office, read the morning blogs over coffee and saw the link and hit my server all at about the same time. Please keep banging on my server so I can test these effects. I am a bit concerned about running this all in the background on my main desktop machine. I use this machine to encode the clips, which drives the CPU load to 100%, so I don’t know how this will affect background tasks like QTSS
I am preparing a 1 minute clip of a scene from a Zatoichi movie to demonstrate the use of QTSS in film studies. I’m producing the high-bandwidth version at extremely high quality, in an attempt to push the limits of resolution and frame rate, so I can test the server under the heavier load from serving these larger clips. But it hard to improve on settings for lower bandwidth versions, so most users will not see much difference. I’ve also noticed I’ve inadvertently been resizing these clips in an odd way, which might account for some of the fuzziness. I turned off various image “enhancement” features in Cleaner that could introduce any resampling fuzziness, but the optimal compression settings appear to be more of an art than a science. But then, I’m trying to preserve the subtleties of cinematographic technique in this Zatoichi film clip. I guess I better get the Cleaner manual and RTFM. It takes about 45 minutes to compress this clip, and I have to do it 3 times so compression testing is a long tedious process. With luck, I can find a few settings that work well in general and just lock them in.
I should also make it clearer that this particular QTSS trick is not something exclusive to any particular blog softare, it will work anywhere on the web. “Outsourcing” your video to another server is how CNN.com and all the big sites do it. Except in this case, your desktop machine is serving the streams, not a huge server farm like CNN has. You could just as easily put that chunk of HTML into any web page anywhere, on your local server, on your ISP’s site, and as long as your desktop machine is up and running, you will be serving video. I wish Apple would publicize QTSS more, they offer similar (non-streaming) Quicktime support on the iTools websites, perhaps they should extend iMovie a little more to include QTSS encoding and management of the streaming folder and run it in conjunction with your iDisk site. Everyone with a cable modem could be running their own streaming server. I hacked this together in just one evening with the QTSS online help files, I just wonder how big this could be if it was streamlined for mass consumer use.
And that brings me to my last topic for the moment, something I call The Napsterization of Fair Use. On blog after blog, I see people commenting about something they saw on TV. But almost none of this content is accessible on the web. I don’t want to read a description of the event, I want to see the event, and now my BlogTV gadget will do the job. Bloggers should be able to make Fair Use of short excerpts from almost any copyrighted source, so if I want to comment on something I saw on the CBS Evening News, I should be permitted to digitize a few seconds and restream it. But the media companies want to prevent this type of Fair Use by technological means, they are afraid of the “napsterization of Hollywood” and if Fair Use is eliminated in the process of fighting piracy, they don’t care. Commercially released tapes and DVDs are already copy protected to prevent Fair Use, preventing Fair Use applications even by scholars who might use these protected materials in a classroom. Now broadcast TV is on the verge of going digital, new encryption standards will completely copy protect everything on video (except commercials, I bet). As a scholar, this loss of freedom concerns me greatly. Consumers must make a stand, and insist that the Government stop selling our intellectual freedoms to money-grubbing media conglomerates.
Now I better stop ranting and get back to work. Stay tuned to BlogTV for more postings, I should have the Zatoichi clip up soon.

BlogTV: The Aftermath

Update June 2014: Quicktime Streaming Server is deprecated. The functions I described no longer work on this server. If anyone is interested in the historical operations of this software, please contact me.

My experiment in Quicktime streaming is a smashing success, the Desktop Streaming meme has taken hold in the Blog world, and the world of video has come to blogging. My short video clip has been viewed over 250 times in just a few hours and the load on my server is so small that I can’t measure it. Unfortunately, now that I have committed to serving these streams from my desktop 24/7, I have to do some hardware repairs on my CPU. So these clips may be unavailable sometime in the near future while the CPU is shut down for maintenance. In the meantime, I have released a new clip that should stream more smoothly and with a clearer, brighter image. In response to the previous video, here is a statement by Prof. L. R. Gumby.

© Copyright 2016 Charles Eicher